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A curated collection of artwork and wall hangings from local artists. Each piece was selected to transform spaces and tell stories.
A curated collection of artwork and wall hangings from local artists. Each piece was selected to transform spaces and tell stories.
Chris Mazzarella is a fine art photographer and painter residing in Norwich, Vermont. His graphically illustrated prints are derived from his own photographs taken throughout Vermont and New Hampshire. Chris recreates the scenes digitally to achieve a minimalist contemporary aesthetic.
Chris Mazzarella is a fine art photographer and painter residing in Norwich, Vermont. His graphically illustrated prints are derived from his own photographs taken throughout Vermont and New Hampshire. Chris recreates the scenes digitally to achieve a minimalist contemporary aesthetic.
Michelle is a mixed media artist who uses intuition to find the lessons nature lays out for us using the process of art. Her goal is to help guide you towards clarity when you take the time to look deep into the layers, so you can let go of your fears and live your best life.
Michelle is a mixed media artist who uses intuition to find the lessons nature lays out for us using the process of art. Her goal is to help guide you towards clarity when you take the time to look deep into the layers, so you can let go of your fears and live your best life.
Julia Purinton spent her childhood in Virginia and Pennsylvania, graduated from Harvard College with a degree in Fine Arts, pursued a course of study at the School of Fine Arts in New York City, and now divides her time between Baltimore, MD and Vermont's Mad River Valley.
Julia Purinton spent her childhood in Virginia and Pennsylvania, graduated from Harvard College with a degree in Fine Arts, pursued a course of study at the School of Fine Arts in New York City, and now divides her time between Baltimore, MD and Vermont's Mad River Valley.
Helen’s tapestries are inspired by the beauty and rhythms of the natural world. She sees the weavings as a kind of acknowledgement and archive of the plants and creatures threatened by climate change. Helen thinks of the practice of weaving as an experience that recognizes the extraordinary worth of the natural world and offers a tangible ‘namaste’ to all that lives.
Helen’s tapestries are inspired by the beauty and rhythms of the natural world. She sees the weavings as a kind of acknowledgement and archive of the plants and creatures threatened by climate change. Helen thinks of the practice of weaving as an experience that recognizes the extraordinary worth of the natural world and offers a tangible ‘namaste’ to all that lives.
Inspired by working from life in oil, pastel and charcoal, Susan paints landscapes, portraits, and still life. She has painted with passion and a commitment to continuous improvement throughout her career, dedicated to producing works that are each better than the last. She currently maintains a resident studio in Franklin, Massachusetts.
Inspired by working from life in oil, pastel and charcoal, Susan paints landscapes, portraits, and still life. She has painted with passion and a commitment to continuous improvement throughout her career, dedicated to producing works that are each better than the last. She currently maintains a resident studio in Franklin, Massachusetts.
Marcia Crumley is a contemporary artist known for infusing bold and often unexpected colors into her expressive landscapes. She works primarily in acrylics, exploiting their saturated hues to full advantage. Marcia studied painting at Massachusetts College of Art and the School of the Museum of Fine Arts in Boston. She is a member of the SoWa Artists Guild in Boston, MA.
Marcia Crumley is a contemporary artist known for infusing bold and often unexpected colors into her expressive landscapes. She works primarily in acrylics, exploiting their saturated hues to full advantage. Marcia studied painting at Massachusetts College of Art and the School of the Museum of Fine Arts in Boston. She is a member of the SoWa Artists Guild in Boston, MA.
Cecily Herzig graduated cum laude from Mount Holyoke College with a degree in Studio Art and a second degree in Environmental Studies. Since her undergraduate days, she has avoided labels and endeavored to evolve ever forward with her work. To maintain a fresh perspective she has worked in a diverse range of mediums including prints, watercolors, oils and felt.
Cecily Herzig graduated cum laude from Mount Holyoke College with a degree in Studio Art and a second degree in Environmental Studies. Since her undergraduate days, she has avoided labels and endeavored to evolve ever forward with her work. To maintain a fresh perspective she has worked in a diverse range of mediums including prints, watercolors, oils and felt.
Whatever the reason, I feel that the colors, shapes, and organic lines of these natural objects give me plenty to play with. Working exclusively in oils allows me to vary my application of paint by layering thick areas or instead create a thin wash of color. The surface variation that results, highlights the contrast between light and shadow in the composition, creating interest for the viewer's eye.
Whatever the reason, I feel that the colors, shapes, and organic lines of these natural objects give me plenty to play with. Working exclusively in oils allows me to vary my application of paint by layering thick areas or instead create a thin wash of color. The surface variation that results, highlights the contrast between light and shadow in the composition, creating interest for the viewer's eye.
Slow Gifting is characterized by taking your time to make mindful choices when giving.
Considering the arc of ownership. Is the item something that will last years (even generations)? Consider the object's broader impact. Everything from the environmental implications of production and ownership to its support of communities and values.
Slow Gifting is characterized by taking your time to make mindful choices when giving.
Considering the arc of ownership. Is the item something that will last years (even generations)? Consider the object's broader impact. Everything from the environmental implications of production and ownership to its support of communities and values.
